{"id":4547,"date":"2013-06-18T13:28:06","date_gmt":"2013-06-18T17:28:06","guid":{"rendered":"http:\/\/www.gillesenvrac.ca\/carnet\/?p=4547"},"modified":"2013-06-18T13:30:11","modified_gmt":"2013-06-18T17:30:11","slug":"lavenir-des-droits-dauteur-un-conte","status":"publish","type":"post","link":"https:\/\/gillesenvrac.ca\/carnet\/2013\/06\/lavenir-des-droits-dauteur-un-conte\/","title":{"rendered":"l&rsquo;avenir des droits d&rsquo;auteur, un conte"},"content":{"rendered":"<p class=\"pConcord\">En pastichant l&rsquo;ouvrage d&rsquo;un folkloriste Russe (Propp) Aymeric Mansoux propose\u00a0<a href=\"http:\/\/su.kuri.mu\/2012\/morphhology-of-a-copyright-tale\/\">Morphology of A Copyright Tale<\/a>. Sploinga et Calimaq en proposent une traduction fran\u00e7aise sur <a href=\"http:\/\/scinfolex.wordpress.com\/2013\/06\/18\/un-conte-pour-imaginer-le-no-futur-du-droit-dauteur\/\">Un conte pour imaginer le (No) Futur du Droit\u00a0d&rsquo;Auteur<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En pastichant l&rsquo;ouvrage d&rsquo;un folkloriste Russe (Propp) Aymeric Mansoux propose\u00a0Morphology of A Copyright Tale. Sploinga et Calimaq en proposent une traduction fran\u00e7aise sur Un conte pour imaginer le (No) Futur du Droit\u00a0d&rsquo;Auteur.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"atmosphere_disabled":false,"atmosphere_custom_text":"","_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-4547","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_featured_media_url":"","jetpack-related-posts":[{"id":4567,"url":"https:\/\/gillesenvrac.ca\/carnet\/2013\/06\/partage-non-marchand-doeuvres-numeriques\/","url_meta":{"origin":4547,"position":0},"title":"partage non marchand d&rsquo;oeuvres num\u00e9riques","author":"Gilles Beauchamp","date":"29 juin 2013","format":false,"excerpt":"Encore sur la question des droits d'auteurs et de la d\u00e9fense des droits des usagers, de la cr\u00e9ation d'espaces cr\u00e9atifs et de m\u00e9canismes de soutien \u00e0 la cr\u00e9ation. Une \u00a0pr\u00e9sentation importante, claire, de Philippe Aigrin sur son blog (Communs \/ Commons) - Contribution \u00e0 la cr\u00e9ation ou rentes aux int\u00e9r\u00eats\u2026","rel":"","context":"Dans \"droits d'auteur\"","block_context":{"text":"droits d'auteur","link":"https:\/\/gillesenvrac.ca\/carnet\/tag\/droits-dauteur\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3179,"url":"https:\/\/gillesenvrac.ca\/carnet\/2010\/04\/un-appui-surprenant\/","url_meta":{"origin":4547,"position":1},"title":"un appui surprenant","author":"Gilles Beauchamp","date":"11 avril 2010","format":false,"excerpt":"Un court article sur le site The Economist (Copyright and wrong) d\u00e9nonce la tendance \u00e0 l'allongement sans fin des droits d'auteurs. On y plaide pour un retour \u00e0 une dur\u00e9e des droits d'auteurs qui soit de l'ordre de celle (14 ou 28 ans) qu'il y avait \u00e0 l'origine de la\u2026","rel":"","context":"Dans \"acc\u00e8s libre\"","block_context":{"text":"acc\u00e8s libre","link":"https:\/\/gillesenvrac.ca\/carnet\/tag\/acces-libre\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3106,"url":"https:\/\/gillesenvrac.ca\/carnet\/2010\/01\/savoirs-et-droits-dauteurs\/","url_meta":{"origin":4547,"position":2},"title":"savoirs et droits d\u2019auteurs","author":"Gilles Beauchamp","date":"20 janvier 2010","format":false,"excerpt":"Comme je le soulevais dans un billet pr\u00e9c\u00e9dent, certains gestes qui peuvent \u00e0 premi\u00e8re vue para\u00eetre anodins et m\u00eame justifi\u00e9s (ce sont leurs productions, apr\u00e8s tout, ils peuvent en faire ce qu\u2019ils veulent !) :\u00a0 le fait que certains textes d\u00e9pos\u00e9s sur le Web ne soient pas accessibles ou ne\u2026","rel":"","context":"Dans \"acc\u00e8s libre\"","block_context":{"text":"acc\u00e8s libre","link":"https:\/\/gillesenvrac.ca\/carnet\/tag\/acces-libre\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3091,"url":"https:\/\/gillesenvrac.ca\/carnet\/2010\/02\/copyright-et-bien-commun\/","url_meta":{"origin":4547,"position":3},"title":"copyright et bien commun","author":"Gilles Beauchamp","date":"14 f\u00e9vrier 2010","format":false,"excerpt":"Le d\u00e9bat sur la longueur des \"copyrights\" se m\u00e8ne sans que cela n'atteigne vraiment le grand public. Il y a bien de temps \u00e0 autre quelqu'article dans un journal, des dossiers dans les revues non sp\u00e9cialis\u00e9es, mais ce sont surtout les \"militants de l'acc\u00e8s libre\" et de l'\"open-access\" qui poussent\u2026","rel":"","context":"Dans \"acc\u00e8s libre\"","block_context":{"text":"acc\u00e8s libre","link":"https:\/\/gillesenvrac.ca\/carnet\/tag\/acces-libre\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":352,"url":"https:\/\/gillesenvrac.ca\/carnet\/2006\/03\/courts-metrages-les-finalistes\/","url_meta":{"origin":4547,"position":4},"title":"courts m\u00e9trages : les finalistes","author":"Gilles Beauchamp","date":"23 mars 2006","format":false,"excerpt":"On m'apprend que le concours de l'ONF \"Faites des courts, pas la guerre\" tire \u00e0 sa fin : vous avez jusqu'\u00e0 demain pour voter pour le meilleur court m\u00e9trage. On peut visionner et coter les 4 finalistes : Le ouijascope (Haute vitesse - Basse vitesse), de Ana Ponce; Conte moi\u2026","rel":"","context":"Dans \"cin\u00e9ma\"","block_context":{"text":"cin\u00e9ma","link":"https:\/\/gillesenvrac.ca\/carnet\/tag\/cinema\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3187,"url":"https:\/\/gillesenvrac.ca\/carnet\/2010\/04\/copyleft\/","url_meta":{"origin":4547,"position":5},"title":"propri\u00e9t\u00e9 intellectuelle et copyleft","author":"Gilles Beauchamp","date":"16 avril 2010","format":false,"excerpt":"Le\u00a0copyleft n'est donc certainement pas une alternative globale \u00e0 la propri\u00e9t\u00e9, c'est un dispositif ing\u00e9nieux qui interdit d'\u00e9lever la conception exclusiviste de la propri\u00e9t\u00e9 au rang de dogme juridique et rend pensable la coexistence et l'articulation de syst\u00e8mes propri\u00e9taires et de communaut\u00e9s affranchies des syst\u00e8mes propri\u00e9taires, un peu \u00e0 la\u2026","rel":"","context":"Dans \"culture\"","block_context":{"text":"culture","link":"https:\/\/gillesenvrac.ca\/carnet\/tag\/culture\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/gillesenvrac.ca\/carnet\/wp-json\/wp\/v2\/posts\/4547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gillesenvrac.ca\/carnet\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gillesenvrac.ca\/carnet\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gillesenvrac.ca\/carnet\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gillesenvrac.ca\/carnet\/wp-json\/wp\/v2\/comments?post=4547"}],"version-history":[{"count":0,"href":"https:\/\/gillesenvrac.ca\/carnet\/wp-json\/wp\/v2\/posts\/4547\/revisions"}],"wp:attachment":[{"href":"https:\/\/gillesenvrac.ca\/carnet\/wp-json\/wp\/v2\/media?parent=4547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gillesenvrac.ca\/carnet\/wp-json\/wp\/v2\/categories?post=4547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gillesenvrac.ca\/carnet\/wp-json\/wp\/v2\/tags?post=4547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}